Sublimage

Sublimage is a unique collage technique using glass as the support. Its characteristic seamless appearance and visual complexity is more than can be achieved with cut-and-paste collage. As well, images and bits of paper are ripped and torn from their sources and applied in a way that is far more immediate than cutting images from magazines ever allows… the result is that the act of making a sublimage has more in common with performative painting, with action painting, than with traditional forms of composition. Moreover, the gestural component of this activity is a consequence of an unmediated communication with subconscious realms. (2000)

With time I have moved away from found or recognizable sources of paper (except for the series Code Pénal) and generally use the same paper from Thailand, at times treated with pastels, as well as found materials and plants (Frondes).(2025)

La bataille de sens

Contre les sentiments sans communication avec le vrai
30 x 28 cm (2026)
Le partage
70×30 cm (2026)
L’espoir n’est pas une sorte de compromis
30 x 24 cm (2026)

Frondes

Frondes: Eloge du risque
50 x 40 cm (2020)
Frondes: Les graines du désir
30 x 24 cm (2020)
Frondes: Le temps et des choses
65 x 50 cm (2019)

Code Pénal

Code Pénal #10
30 x 30 cm (2016)
Code Pénal #2
65 x 50 cm (2016)
Code Pénal #17
65 x 50 cm (2018)

Intercessions

“In the dark ambiguities of time we need finesse, not geometry, to find some stumbling way”.

It is often proposed that a non-figurative artist renounces the tangible and descends into himself, preferring his inner fantasies to so-called external reality. However, it is a strict fidelity to the so-called real, to life as it is lived, that enables such an artist to dispose of models, of subjects demanding representation. Instead, the life that has been lived, touched, tasted, heard, remembered… passes through the artist and appears, on the other side, as art.


Expo / Galerie Caroline Tresca , Paris

7 – 22 decembre 2016


Intercession #58
30 x 40 cm (2014)
Intercession #41
50 x 65 cm (2013)
Intercession #30
65 x 50 cm (2013)

Entre l’heure exacte et l’heure vraie

Un tableau conduit harmoniquement consiste en une série de tableaux superposés, chaque nouvelle couche donnant au rêve plus de réalitié et le faisant monter d’un degré vers la perfection.

La conversation interrompue
50 x 40 cm (2011)
Approfondissements successifs: 3
40 x 30 cm (2011)
Approfondissements successifs: 2
40 x 30 cm (2011)

Words learned at the bottom of a well

Expo / A440Hz, Vancouver, Canada

January 2008


My struggle with the world
41 x 51 cm (2007)
The melancholy appendage
79 x 30.5 cm (2006)
Approaching the impossible celebration : Collaborators
61 x 41 cm (2005)

Early Works

Cordova St. studio (Vancouver, Canada) 1996 – 2008

Locus Solus
23 x 26 cm (2003)
I forget my achievements and desire impossibilities
41 x 31 cm (2004)
Rupture
10 x 18 cm (2003)
Excerpt from The book of regret : Expulsion
21 x 26 cm (2001)
Amphiboly
85 x 42 cm (1997)