paper and acrylique collage on glass

Sublimage is a unique collage technique using glass as the support. Its characteristic seamless appearance and visual complexity is more than can be achieved with cut-and-paste collage. As well, images and bits of paper are ripped and torn from their sources and applied in a way that is far more immediate than cutting images from magazines ever allows… the result is that the act of making a sublimage has more in common with performative painting, with action painting, than with traditional forms of composition. Moreover, the gestural component of this activity is a consequence of an unmediated communication with subconscious realms. (2000)
With time I have moved away from found or recognizable sources of paper (except for the series Code Pénal) and generally use the same paper from Thailand, at times treated with pastels, as well as found materials and plants (Frondes).(2025)
La bataille de sens
2025 , 2026

30 x 28 cm (2026)

70×30 cm (2026)

30 x 24 cm (2026)
Frondes
2019 – 2024

50 x 40 cm (2020)

30 x 24 cm (2020)

65 x 50 cm (2019)
Code Pénal
2015 – present

30 x 30 cm (2016)

65 x 50 cm (2016)

65 x 50 cm (2018)
Intercessions
2012 – 2014

“In the dark ambiguities of time we need finesse, not geometry, to find some stumbling way”.
William Desmond (Murdering Sleep, in The Tragic Discourse ed. R. Fotiade)
It is often proposed that a non-figurative artist renounces the tangible and descends into himself, preferring his inner fantasies to so-called external reality. However, it is a strict fidelity to the so-called real, to life as it is lived, that enables such an artist to dispose of models, of subjects demanding representation. Instead, the life that has been lived, touched, tasted, heard, remembered… passes through the artist and appears, on the other side, as art.
Expo / Galerie Caroline Tresca , Paris
7 – 22 decembre 2016




30 x 40 cm (2014)

50 x 65 cm (2013)

65 x 50 cm (2013)
Entre l’heure exacte et l’heure vraie
2011
Un tableau conduit harmoniquement consiste en une série de tableaux superposés, chaque nouvelle couche donnant au rêve plus de réalitié et le faisant monter d’un degré vers la perfection.
Baudelaire (Salon de 1859)

50 x 40 cm (2011)

40 x 30 cm (2011)

40 x 30 cm (2011)
Words learned at the bottom of a well
2005 – 2007
Expo / A440Hz, Vancouver, Canada
January 2008






41 x 51 cm (2007)

79 x 30.5 cm (2006)

61 x 41 cm (2005)
Early Works
1994 – 2005


23 x 26 cm (2003)

41 x 31 cm (2004)

10 x 18 cm (2003)

21 x 26 cm (2001)

85 x 42 cm (1997)
